A
100
Chromatone
Theory
13
Color
4
Light
4
The Sun
Light spectrum
Electromagnetic fields
Electromagnetic radiation
Human color perception
Color models
3
Subtractive color models
Additive color models
Perceptual color models
Color names
Sound
5
Nature of sound
Human auditory system
Psychoacoustics
1
Audio illusions
Frequency and pitch
Timbre and overtones
Modal interplay
3
Visual Music & the Poetics of Synaesthesia
Synesthesia
Chromatic spectrum
Rhythm
7
Pulse, beat and tempo
Rhythm, timeline, ostinato
Counting
Meters
4
Simple meters
Compound meters
Complex meters
Common time
Rhythmic systems
5
Euclidean rhythms
Afro-Cuban clave
Indian tala
Flamenco compás
African cross-beats
Syncopation, swing and groove
Drum rudiments
Notes
7
Temperaments
4
Just intonation
Pythagorean tuning
Equal temperament
Tunings comparison
Solmization
National notation systems of ancient and modern cultures
Classic European music staff notation
3
Sight reading
Evolution of european notation systems
The Real Book
Alternative notation systems
9
Numbered notation
Bilinear notation
Chromatic staff
Klavarskribo
Dodeka
Parsons code
Integer notation
Standard pitch notation
Tabulature
Computer notation
4
Ring Tone Text Transfer Language
ABC notation
Piano roll
MIDI
Chromatone color notation
Intervals
7
Unison and octave
Fifth and fourth
Third and sixth
Seconds and sevenths
Emancipation of dissonance
Sensory dissonance
Interval cycles
Chords
5
Triads
Tetrads
Hexads and more
Pentads
Tone clusters
Scales
8
Study of scales
Pentatonic scales
Diatonic scales
Melodic minor
Double harmonic
Symmetrical scales
Scale degrees
Indian Raga
Harmony
9
Harmony study
Polytonality
Modulation
Harmonic movements
Functional tonal harmony
Chord-scale system
Nonchord tones
Modality
Reharmonization
Melody
6
Melody study
Motif
Motion
Singing
Drone
Articulation and ornamentation
Composition
8
Sound painting
Generative theory of tonal music
Atonality and serialism
Musical form
Song structure
Composers
Texture
Electronic minimalism
Synthesis
4
Karplus–Strong string
Modulation techniques
Distortion
Audio Programming
External resources
Practice
15
Color
6
RGB
CMYK
HSL, Lch, HWB
Lab
Color palette generator
MIDI color mixing
Sound
5
Equal loudness contour
Monochord
Sensory dissonance curve
String overtones
Microphone audio analysis
Rhythm
6
Circular metronome
Rhythm bars
Drum machine
Musical transport
Drum rudiments
Wheels
Pitch
6
Tuner
Spectrogram
Pitch roll
Drone
Table
Fretboard calculator
Chords
6
Circle of fifths
Tonal array
Chord progressions
Tabs
Chord Sheets Lab
Mode degrees
Scales
3
All scales list
Indian ragas
Scale chords
Chroma
8
See Chroma
Сhromagram
Profile
Palette
1
Palette with feedback
Compass
Chroma Touch
Waveform
Chromatic hands
MIDI
8
MIDI Keys
MIDI Roll
MIDI Monitor
MIDI Router
MIDI Log
MIDI Radar
MIDI Recorder
MIDI File visualizer
Synthesis
7
Elementary synth
Soundfont sampler synth
Karplus–Strong synthesis
ZZFX
Noise lab
AMY synth
ChucK
Generative
6
Bouncing sinusoids
Pendulums
Matter physics
Number Sequences
Ambient drone box
Words sequencing
Sequencing
3
Chroma Grid
Step sequencer
ZZFXM
Jam
3
Random Jam
Jam table
Jam session
Visuals
2
Paper
Hydra synth
Experiments
3
Sound laboratory
Dev experiments
MIDI Rows
External tools
Tutorship
Shop
Academy
Support
Contacts
Back to main
Theory
Color
Color models
Different ways to measure and quantify colors
Subtractive color models
The colors produced by materials absorbing certain light frequencies. RYB and CMYK
Additive color models
The colors created by combining colored lights
Perceptual color models
Color spaces based on the "standard observer" perception of colors
Let's explore
Additive
,
Subtractive
and
Perceptual
color models deeper.
Human color perception
Color names
Color
Chromatone
Visual Music Language
v.2.7.2
2017-Present
