Chromatone
Theory
Color
Sound
Rhythm
Notes
Intervals
Chords
Scales
Harmony
Melody
Composition
External resources
Practice
Color
Sound
Rhythm
Pitch
Chords
Chroma
MIDI
Synthesis
Experiments
External tools
Academy
Shop
Support
Contacts
Theory
11
Color
5
Light
3
The Sun
Light spectrum
Electromagnetic radiation
Human color perception
Color models
3
Subtractive color models
Additive color models
Perceptual color models
Color names
Modal interplay
2
Synesthesia
Chromatic spectrum
Sound
5
Human auditory system
Nature of sound
Psychoacoustics
1
Audio illusions
Frequency and pitch
Timbre and overtones
Rhythm
7
Pulse, beat and tempo
Rhythm, timeline, ostinato
Counting
Meters
4
Simple meters
Compound meters
Complex meters
Common time
Rhythmic systems
5
Euclidean rhythms
Afro-Cuban clave
Indian tala
Flamenco compás
African cross-beats
Syncopation, swing and groove
Drum rudiments
Notes
7
Temperaments
4
Just intonation
Pythagorean tuning
Equal temperament
Tunings comparison
Solmization
National notation systems of ancient and modern cultures
Classic European music staff notation
3
Sight reading
Evolution of european notation systems
The Real Book
Alternative notation systems
9
Numbered notation
Bilinear notation
Chromatic staff
Klavarskribo
Dodeka
Parsons code
Integer notation
Standard pitch notation
Tabulature
Computer notation
4
Ring Tone Text Transfer Language
ABC notation
Piano roll
MIDI
Chromatone color notation
Intervals
7
Unison and octave
Fifth and fourth
Third and sixth
Seconds and sevenths
Emancipation of dissonance
Sensory dissonance
Interval cycles
Chords
4
Triads
Tetrads
Chords with 5 notes and more
Tone clusters
Scales
7
Study of scales
Pentatonic scales
Diatonic scales
Melodic minor
Symmetrical scales
Scale degrees
Indian Raga
Harmony
8
Harmony study
Chord progressions
Polytonality
Modulation
Harmonic movements
Functional tonal harmony
Chord-scale system
Nonchord tones
Melody
6
Melody study
Motif
Motion
Singing
Drone
Articulation and ornamentation
Composition
8
Sound painting
Generative theory of tonal music
Atonality and serialism
Musical form
Song structure
Composers
Texture
Electronic minimalism
External resources
Practice
10
Color
6
RGB
CMYK
HSL, Lch, HWB
Lab
MIDI color mixing
Color palette generator
Sound
4
Equal loudness contour
Monochord
Sensory dissonance curve
String overtones
Rhythm
5
Circular metronome
Rhythm Bars
Step sequencer
Drum rudiments
Wheels
Pitch
5
Tuner
Spectrogram
Pitch Roll
Drone
Table
Chords
5
Circle of fifths
Tonal array
Tabs
Mode degrees
Scale chords
Chroma
7
See Chroma
Сhromagram
Chroma Grid
Profile
GPU shader
Compass
Waveform
MIDI
8
MIDI Roll
MIDI Monitor
MIDI Router
MIDI Log
MIDI Radar
MIDI Recorder
MIDI File visualizer
MIDI Rows
Synthesis
4
Elementary synth
AMY synth
ChucK
Noise lab
Experiments
8
Jam session
Ambient drone box
Fretboard calculator
Paper
Spectrum analyzer
Sound laboratory
Printables
2
Printable A4 piano chords
A4 cheat-sheet
Dev experiments
External tools
Academy
Shop
Support
Contacts
Back to main
Practice
Synthesis
Ways to produce specific sounds
Elementary synth
MIDI enabled synthesizer built with Elementary audio library
AMY synth
Wasm synth playground
ChucK
Music programming language
Noise lab
As white light is the combination of all colors, the white noise is the combination of all possible notes
MIDI
Experiments
Theory
Practice
Academy
Shop
Support
Contacts
