Chromatone
Theory
12
Color
5
Light
3
The Sun
Light spectrum
Electromagnetic radiation
Human color perception
Color models
3
Subtractive color models
Additive color models
Perceptual color models
Color names
Modal interplay
2
Synesthesia
Chromatic spectrum
Sound
5
Nature of sound
Human auditory system
Psychoacoustics
1
Audio illusions
Frequency and pitch
Timbre and overtones
Rhythm
7
Pulse, beat and tempo
Rhythm, timeline, ostinato
Counting
Meters
4
Simple meters
Compound meters
Complex meters
Common time
Rhythmic systems
5
Euclidean rhythms
Afro-Cuban clave
Indian tala
Flamenco compás
African cross-beats
Syncopation, swing and groove
Drum rudiments
Notes
7
Temperaments
4
Just intonation
Pythagorean tuning
Equal temperament
Tunings comparison
Solmization
National notation systems of ancient and modern cultures
Classic European music staff notation
3
Sight reading
Evolution of european notation systems
The Real Book
Alternative notation systems
9
Numbered notation
Bilinear notation
Chromatic staff
Klavarskribo
Dodeka
Parsons code
Integer notation
Standard pitch notation
Tabulature
Computer notation
4
Ring Tone Text Transfer Language
ABC notation
Piano roll
MIDI
Chromatone color notation
Intervals
7
Unison and octave
Fifth and fourth
Third and sixth
Seconds and sevenths
Emancipation of dissonance
Sensory dissonance
Interval cycles
Chords
5
Triads
Tetrads
Hexads and more
Pentads
Tone clusters
Scales
8
Study of scales
Pentatonic scales
Diatonic scales
Melodic minor
Double harmonic
Symmetrical scales
Scale degrees
Indian Raga
Harmony
9
Harmony study
Polytonality
Modulation
Harmonic movements
Functional tonal harmony
Chord-scale system
Nonchord tones
Modality
Reharmonization
Melody
6
Melody study
Motif
Motion
Singing
Drone
Articulation and ornamentation
Composition
8
Sound painting
Generative theory of tonal music
Atonality and serialism
Musical form
Song structure
Composers
Texture
Electronic minimalism
Synthesis
3
Karplus–Strong string
Modulation techniques
Distortion
External resources
Practice
11
Color
6
RGB
CMYK
HSL, Lch, HWB
Lab
MIDI color mixing
Color palette generator
Sound
5
Equal loudness contour
Monochord
Sensory dissonance curve
String overtones
Microphone audio analysis
Rhythm
6
Circular metronome
Rhythm bars
Drum machine
Musical transport
Drum rudiments
Wheels
Pitch
5
Tuner
Spectrogram
Pitch roll
Drone
Table
Chords
7
Circle of fifths
Tonal array
Chord progressions
Step sequencer
Tabs
Mode degrees
Scale chords
Chroma
8
See Chroma
Сhromagram
Chroma Grid
Profile
GPU shader
1
GPU shader with feedback
Compass
Waveform
Chromatic hands
MIDI
7
MIDI Roll
MIDI Monitor
MIDI Router
MIDI Log
MIDI Radar
MIDI Recorder
MIDI File visualizer
Synthesis
6
Karplus–Strong synthesis
Soundfont sampler synth
Elementary synth
Noise lab
AMY synth
ChucK
Jam
3
Random Jam
Jam table
Jam session
Experiments
10
Ambient drone box
Fretboard calculator
Paper
Sound laboratory
MIDI keys
Printables
2
Printable A4 piano chords
A4 cheat-sheet
Dev experiments
MIDI Rows
Chroma touch
Elementary Refs
External tools
Academy
Shop
Support
Contacts
Back to main
Theory
Synthesis
Modulation techniques
Signal cross relation
Analog Modulation
AM - Amplitude modulation
FM - Frequency modulation
Karplus–Strong string
Distortion
Synthesis
