A
100
Chromatone
Theory
13
Color
4
Light
4
The Sun
Light spectrum
Electromagnetic fields
Electromagnetic radiation
Human color perception
Color models
3
Subtractive color models
Additive color models
Perceptual color models
Color names
Sound
5
Nature of sound
Human auditory system
Psychoacoustics
1
Audio illusions
Frequency and pitch
Timbre and overtones
Modal interplay
3
Visual Music & the Poetics of Synaesthesia
Synesthesia
Chromatic spectrum
Rhythm
7
Pulse, beat and tempo
Rhythm, timeline, ostinato
Counting
Meters
4
Simple meters
Compound meters
Complex meters
Common time
Rhythmic systems
5
Euclidean rhythms
Afro-Cuban clave
Indian tala
Flamenco compás
African cross-beats
Syncopation, swing and groove
Drum rudiments
Notes
7
Temperaments
4
Just intonation
Pythagorean tuning
Equal temperament
Tunings comparison
Solmization
National notation systems of ancient and modern cultures
Classic European music staff notation
3
Sight reading
Evolution of european notation systems
The Real Book
Alternative notation systems
9
Numbered notation
Bilinear notation
Chromatic staff
Klavarskribo
Dodeka
Parsons code
Integer notation
Standard pitch notation
Tabulature
Computer notation
4
Ring Tone Text Transfer Language
ABC notation
Piano roll
MIDI
Chromatone color notation
Intervals
7
Unison and octave
Fifth and fourth
Third and sixth
Seconds and sevenths
Emancipation of dissonance
Sensory dissonance
Interval cycles
Chords
5
Triads
Tetrads
Hexads and more
Pentads
Tone clusters
Scales
8
Study of scales
Pentatonic scales
Diatonic scales
Melodic minor
Double harmonic
Symmetrical scales
Scale degrees
Indian Raga
Harmony
9
Harmony study
Polytonality
Modulation
Harmonic movements
Functional tonal harmony
Chord-scale system
Nonchord tones
Modality
Reharmonization
Melody
6
Melody study
Motif
Motion
Singing
Drone
Articulation and ornamentation
Composition
8
Sound painting
Generative theory of tonal music
Atonality and serialism
Musical form
Song structure
Composers
Texture
Electronic minimalism
Synthesis
4
Karplus–Strong string
Modulation techniques
Distortion
Audio Programming
External resources
Practice
15
Color
6
RGB
CMYK
HSL, Lch, HWB
Lab
Color palette generator
MIDI color mixing
Sound
5
Equal loudness contour
Monochord
Sensory dissonance curve
String overtones
Microphone audio analysis
Rhythm
6
Circular metronome
Rhythm bars
Drum machine
Musical transport
Drum rudiments
Wheels
Pitch
6
Tuner
Spectrogram
Pitch roll
Drone
Table
Fretboard calculator
Chords
6
Circle of fifths
Tonal array
Chord progressions
Tabs
Chord Sheets Lab
Mode degrees
Scales
3
All scales list
Indian ragas
Scale chords
Chroma
8
See Chroma
Сhromagram
Profile
Palette
1
Palette with feedback
Compass
Chroma Touch
Waveform
Chromatic hands
MIDI
8
MIDI Keys
MIDI Roll
MIDI Monitor
MIDI Router
MIDI Log
MIDI Radar
MIDI Recorder
MIDI File visualizer
Synthesis
7
Elementary synth
Soundfont sampler synth
Karplus–Strong synthesis
ZZFX
Noise lab
AMY synth
ChucK
Generative
6
Bouncing sinusoids
Pendulums
Matter physics
Number Sequences
Ambient drone box
Words sequencing
Sequencing
3
Chroma Grid
Step sequencer
ZZFXM
Jam
3
Random Jam
Jam table
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Visuals
2
Paper
Hydra synth
Experiments
3
Sound laboratory
Dev experiments
MIDI Rows
External tools
Tutorship
Shop
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Contacts
Back to main
Theory
Composition
Composers
Interviews and retrospectives
Steve Reich
Naithan Bosse
Network compositions
Paresthesia - for distributed woodwinds and percussion (2016). PDF score
Song structure
Texture
Composition
Chromatone
Visual Music Language
v.2.7.2
2017-Present
